Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Tuesday, August 29, 2017

WITMonth Day 29 | How women in translation changed my life | Guest post

A very special WITMonth post today, from my dear sister (not twins) - the original inspiration for this blog! Thank you, Shiranne!

I’ve been a huge fan of Meytal Radzinski’s since before I could read, and I’ve been a huge fan of this blog since before it existed. (This is where I get to take credit for being the one who nudged her to open it!) I’m also a hardcore fan of WIT month, and I am proud to get to take part in this awesome project.

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It just so happens that the two biggest influences on reorganizing my mind and heart were women in translation.

The first and main one: Maria Montessori, the Italian doctor-turned-educator who developed the Montessori education philosophy and method back at the turn of the last century. The second woman: Marie Kondo, the Japanese tidying-up consultant whose KonMari method of organizing is very fashionable at the moment.

I first heard of Maria Montessori when I was hired to teach English at an Israeli Montessori school. In a typical fashion, I fell in love with the philosophy and ended up moving to the U.S. to study to be a Montessori educator. In my training we read excerpts from Montessori’s books, detailing what she had learned about children’s learning. Montessori saw the classroom itself as the teacher, and the teacher as the guide. She watched children pursuing their own innate passions and learning in a happier and healthier way than children learning in the mainstream (somewhat assembly-line-esque) education system. Montessori believed very strongly in the idea that your environment can shape you, and that if we created the right environment, then the children would learn happily and naturally. Three and a half years after first being introduced to Montessori, I am still likely to go on a half hour tangent whenever somebody asks me to explain what it is.

During the same summer of my training, I had also come across a book titled “The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing” by Marie Kondo. Americans, collectors of all things useless, seemed to be obsessed with this book, and knowing that I too have a tendency towards hoarding I thought I might as well give it a read. Kondo’s book transformed my perspective towards every item that I owned. From being a person who had trouble throwing away old shampoo bottles, I was suddenly able to give away clothes that had been sitting my closet for 10 years. The key to Kondo’s method (called the “KonMari” method) is simple: declutter by focusing on the things that truly give you joy. Whatever doesn’t give you the right level of joy (measured naturally by comparing to the things that give you the most joy) - thank it, and let it go.


Both of these women have helped me recognize the importance of having an organized environment in my home and workplace. It doesn’t mean I’m always able to stick to it since I imagine I will always be a naturally messy person, but it does mean that I see the value in putting effort into creating the world that I want, in every aspect of my life. It can also mean looking at my relationships (of all sorts) as something that I work on, or looking at the country I live in and figuring out how I can work on making it better. It can mean trying to see opportunities for growth in everything around me. For me, it was a huge shift in my philosophy, and I have two women in translation to thank for it.

Wishing a happy and meaningful end of WIT month to you all!

Thursday, August 21, 2014

WITMonth Day 21 - Some Contemporary Russian Reading Ideas | Guest post

Today's post marks a special occasion on the blog - the first ever guest/cross-post! Many thanks to Lisa of the excellent Lizok's Bookshelf for writing the post, originally published here (reblogged with permission).


When the blogger known as Biblibio invited me to write a guest post for Women in Translation Month—it’s right now, this August—I was quick to agree to write something for both our blogs. For one thing, I’ve been enjoying Biblibio’s posts for years. For another, I knew it would be easy to put together a list of wonderful female Russian writers; I’ve even translated a book and two stories by a couple of them. Best of all, it’s always fun to make lists like this by remembering good books and the people who write them. Here are some of my favorites.

Margarita Khemlin is one of my very favorite writers, both because I love her books and stories, and because she’s one of the first writers I chose to translate. I started reading Khemlin with her first book, the story collection The Living Line, and moved on to her novels—Klotsvog, Krainii (The Endman), and The Investigator—reading each as soon as I could after it was published. Margarita’s stories and novels are generally about life in eastern Ukraine, and I particularly love the language she uses to tell, with quiet but dark humor and occasional dialogue in surzhik, a combination of Ukrainian and Russian, about Jewish heritage and the never-ending effects of World War 2. I’ve published translations of two of Margarita’s stories from The Living Line: “Basya Solomonovna’s Third World War” appeared in Two Lines (the “Counterfeits” edition, 2011) and was reprinted in the Read Russia! anthology, too (PDF download); “Shady Business” came out in issue 17 of Subtropics earlier this year. “Shady Business” took me forever: I knew the words (and got great help from Misha Klimov, a local colleague, on the ones I didn’t, those being the surzhik) but wanted to be sure I was capturing the emotions of elderly characters who’d survived the war. I still can’t believe how much feeling and history Margarita can pack into so few, seemingly simple, words. I’m sure that’s why I love her writing so much.

Marina Stepnova's novel The Women of Lazarus also looks at history, through an unconventional family saga that begins just after the Russian Revolution and continues to the present, focusing on various women in the life of Lazar Lindt, the Lazarus in the title. I loved the novel’s combination of history, various forms of poshlost’, postmodernism, and cultural commentary when I read it but didn’t truly appreciate how much Stepnova had achieved until I was working on a late draft of my translation. (The many, many levels of new-found appreciation I find through translation are a big reason I love translating so much.) Stepnova, a literary magpie, fills her novel with colorful and changeable language, historical perspectives and figures (Beria has a cameo), Soviet science, references to pre-revolutionary cookery, and ballet. Among other things. But everything comes together, creating an almost ridiculously readable and comprehensive novel about the meaning of family and the meaning of country and culture and heritage. Among other things… it’s a very rewarding book that can be read on many levels.

Alisa Ganieva won notice by winning the Debut Prize for the novella Salam, Dalgat!, which she wrote under the male pseudonym Gulla Khirachev because of taboos against a woman writing about a world that is “absolutely male.” I loved Salam, Dalgat! for its story of a day in the life of a man searching Makhachkala, Dagestan, for a relative. As I wrote earlier, “With its mixture of humor, tradition (wife stealing even gets a mention, though a character says that’s a Chechen habit), and a sense of alarm about the future, Salam, Dalgat! felt unusually energetic and organic, all as poor Dalgat, seeking but never quite managing to find, trots along, a perfectly agreeable, generally patient, nearly blank slate of a character, the ideal figure for a reader like me, who’s never been to Makhachkala, to follow.” Translations of Ganieva’s writing are available and on the way: Nicholas Allen’s translation of Salam, Dalgat! appears in the anthology Squaring the Circle (Glas, 2011), Marian Schwartz’s translation of the story “Shaitans” is in the Read Russia! anthology (PDF download), and Carol Apollonio’s translation of The Russian Wall (Праздничная гора) will be published next summer by Deep Vellum.

Since I’ve been so chatty about the first three writers, I’ll keep things shorter and limit myself to brief notes on four more writers I’ve especially enjoyed reading. Each has a story in the same Read Russia! anthology I mentioned above and each has at least one novel already out in English translation… I’ve read quite a few books and stories by Ludmila Ulitskaya and think my favorite is probably Sincerely Yours, Shurik, which has never been translated into English. Of those that exist in English, I particularly enjoyed the polyphonic Daniel Stein, Interpreter, (which Arch Tate translated for The Overlook Press) about a Polish Jew who works for a Nazi officer and dies a Carmelite monk in Israel. The Big Green Tent is on the way, too, in Bela Shayevich’s translation… And then there’s Olga Slavnikova, whose 2017—beautifully stuffed with gems, metaphors, and plot lines—won the Russian Booker. I particularly enjoyed the expedition scenes and carnivalistic episodes; Marian Schwartz translated 2017 for The Overlook Press… Maria Galina’s Mole Crickets appealed to me because of the voice Galina creates for her narrator, a man who rewrites books (e.g. a classic by Joseph Conrad) by incorporating clients into the plot lines. Though Mole Crickets hasn’t been translated, Amanda Love Darragh won the Rossica Prize for translating Iramifications, published in 2008 by Glas… Finally, there’s Anna Starobinets, whose Sanctuary 3/9 kept me up late at night: the novel’s combination of folk tale motifs, suspense, and creepiness is perfect. Sanctuary hasn’t been translated into English but three other Starobinets books have: An Awkward Age, translated by Hugh Aplin for Hesperus; The Living, translated by James Rann for Hesperus; and The Icarus Gland, coming this fall from James Rann and Skyscraper Publications.

Happy reading! And a big, huge thanks to Biblibio for the invitation... and all this month’s posts about books written by women.

Disclaimers: I’ve translated work by some of the writers mentioned in this post and met all of them, if only briefly. I work on occasional projects for Read Russia and have translated a book for Glas: appropriately enough, it’s Russian Drama: Four Young Female Voices, with four very diverse plays by Yaroslava Pulinovich, Ksenia Stepanycheva, Ekaterina Vasilyeva, and Olga Rimsha.